Knjiga Ursule K. Legvin o čitanju i pisanju ”Words Are My Matter”
Ovog meseca izdavačka kuća Small Beer Press objavljuje zbirku tekstova o čitanju i pisanju „Words Are My Matter“ slavne književnice Ursule K. Legvin.
Kolekcija donosi 67 tekstova: intervjua, eseja, uvodnika i prikaza objavljenih u periodu između 2000. i 2016. godine, u kojima su artikulisana autorkina uverenja o društvenom i političkom značaju pripovedanja, autoritarizmu, ženskim pravima, ekološkom kolapsu, uticaju savremene tehnologije na ljudski život.
Naročita pažnja posvećena je pogubnom uticaju korporizacije na izdavaštvo i književnost, zatim, piscima koji sve ređe prave razlike između proizvodnje robe i bavljenja umetnošću, kao i potrebi za odgovornim izdavanjem i pisanjem knjiga.
Legvinova je jedna od najistaknutijih američkih savremenih književnica i intelektualki, pa knjiga „Words Are My Matter“ može biti odličan vodič za putovanje kroz odabrana ostvarenja savremene književnosti, ali ujedno i vodič kroz svet u kome živimo.
Ursula K. Legvin (1929) romane, kratke priče i eseje objavljuje od 1960. godine. Tokom veoma uspešne dugogodišnje karijere izvršila je veliki uticaj na generacije čitalaca i pisaca širom sveta. U svojim delima najčešće opisuje futurističke, alternativne svetove i govori o odnosu čoveka prema prirodnom okruženju, politici, veri, polovima, seksualnosti i etnografiji. Dobitnica je brojnih nagrada među kojima i američke Nacionalne nagrade za književnost.
Ursula K. Legvin
Sadržaj zbirke „Words Are My Matter“:
Foreword
Talks, Essays, and Occasional Pieces
The Operating Instructions
What It Was Like
Genre: A Word Only a Frenchman Could Love
“Things Not Actually Present”
A Response, by Ansible, from Tau Ceti
The Beast in the Book
Inventing Languages
How to Read a Poem: “Gray Goose and Gander”
On David Hensel’s Submission to the Royal Academy of Art
On Serious Literature
Teasing Myself Out of Thought
Living in a Work of Art
Staying Awake
Great Nature’s Second Course
What Women Know
Disappearing Grandmothers
Learning to Write Science Fiction from Virginia Woolf
The Death of the Book
Le Guin’s Hypothesis
Making Up Stories
Freedom
Book Introductions and Notes on Writers
A Very Good American Novel: H. L. Davis’s Honey in the Horn
Philip K. Dick: The Man in the High Castle
Huxley’s Bad Trip
Stanislaw Lem: Solaris
George MacDonald: The Princess and the Goblin
The Wild Winds of Possibility: Vonda McIntyre’s Dreamsnake
Getting It Right: Charles L. McNichols’s Crazy Weather
On Pasternak’s Doctor Zhivago
Examples of Dignity: Thoughts on the Work of José Saramago
Arkady and Boris Strugatsky: Roadside Picnic
Jack Vance: The Languages of Pao
G. Wells: The First Men in the Moon
G. Wells: The Time Machine
Wells’s Worlds
Book Reviews
Margaret Atwood: Moral Disorder
Margaret Atwood: The Year of the Flood
Margaret Atwood: Stone Mattress
G. Ballard: Kingdom Come
Roberto Bolaño: Monsieur Pain
C. Boyle: When the Killing’s Done
Geraldine Brooks: People of the Book
Italo Calvino: The Complete Cosmicomics
Margaret Drabble: The Sea Lady
Carol Emshwiller: Ledoyt
Alan Garner: Boneland
Kent Haruf: Benediction
Kent Haruf: Our Souls at Night
Tove Jansson: The True Deceiver
Barbara Kingsolver: Flight Behavior
Chang-Rae Lee: On Such a Full Sea
Doris Lessing: The Cleft
Donna Leon: Suffer the Little Children
Yann Martel: The High Mountains of Portugal
China Miéville: Embassytown
China Miéville: Three Moments of an Explosion
David Mitchell: The Bone Clocks
Jan Morris: Hav
Julie Otsuka: The Buddha in the Attic
Salman Rushdie: The Enchantress of Florence
Salman Rushdie: Two Years, Eight Months, and Twenty-Eight Nights
